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The world of Guns of Boom esports is getting even cooler this weekend, with the start of Guns of Boom season two. I was lucky enough to be invited out to the championship event that ended season one last year, and I think Game Insight is doing a lot of stuff right both when it comes to fostering a fabulous competitive environment, as well as making spectating these things an enjoyable experience. That last part is the key for any esport, and the AR viewer built into Guns of Boom super cool. The main themes surrounding season two, which begins on January 19th, seem to be: Bigger, better, and more. First off, the overall prize pool is increasing from $200,000 last year to $500,000. Additionally, both Latin America and Southeast Asia are totally new competitive territories for the game. Last, but certainly not least, is rejiggering the structure to include three distinct leads with a new high-tier “Gods of Boom' league that introduce stadium-size events (with the first one being the IEM Expo).

If you’re interested in getting involved with any of this, you can to participate in the Challenger Series, and for more information you can take a look at their. If you’re reading this from the USA, you might be scratching your head as to why someone would want to get involved in esports for a mobile shooter, and you probably think that because you’ve got a gaming PC, several consoles, and other “better' platforms to play competitive games on. The fascinating thing about mobile esports is when you watch them, how apparent is it that having so many options isn’t really a thing most of the world has, and as a result, how into competitive mobile gaming those markets get. Guns of Boom, and a lot of other mobile esports lean into those markets in a really cool way. What I’m getting at is this is definitely something that should be on your radar.

During the Great Flood of '93, the Mississippi River climbed half-way up the grand staircase of the Gateway Arch to its highest level recorded in the city of St. Bronze plaques designate the high-water mark — 49.58 feet, set on that Aug. Today, it’s hard to envision the river reaching that height. The Mississippi and Missouri rivers set their own rules that summer, overtopping or busting through levees in nine states, including Missouri and Illinois. Fifty people died. At least 10,000 homes were destroyed, and another 40,000 were damaged. State and federal officials calculated the damage at more than $15 billion.

But the numbers don’t capture the misery the flood caused. Cinema 4d r17 free. A quarter of a century later, people still recall iconic images that played out in the St. Louis region: The Gummersheimer farmhouse swirling in the brown torrent of the Mississippi near Columbia, Ilinois, and then splintering into pieces.

Propane tanks bobbing in the Mississippi, prompting the evacuation of 5,000 people in south St. Louis and Lemay.

Caskets floating in the Missouri after being unearthed from a cemetery in Hardin, Missouri. A wet fall in 1992, followed by heavy snow and relentless spring rains set the stage for the record-flooding, according to the National Weather Service. Local rivertowns were fighting rising water by May, and were in the fight of their lives by July. Despite sweltering heat, thousands answered their calls to help fill sandbags. The disaster was a watershed event for many floodplain dwellers.

After Valmeyer, Illinois, was submerged by the Mississippi, residents moved their town of 900 to the bluffs above the floodplain. But the city of Chesterfield, which saw its valley inundated by the Missouri River, opted to strengthen its levees and redevelop the Chesterfield Valley. Published on July 30, 2018 Reporting Eli Chen Marissanne Lewis-Thompson Mary Delach Leonard Rachel Lippmann Wayne Pratt Lindsay Toler Photography Brian Heffernan Carolina Hidalgo David Kovaluk Wayne Pratt Drone videography Brent Jones Maps and graphics Brent Jones Illustrations David Kovaluk Project editor Brian Heffernan Additional material compiled by Abigail Censky Brent Jones Kae Petrin Story editors Maria Altman David Cazares Fred Ehrlich Executive editor Shula Neuman Copy editing Linda Lockhart Website production Brent Jones. Keygen video download capture.